Nov. 11, 2018 – Jan. 13, 2019

Opening reception: 2-4:30 p.m., Sunday, Nov. 11, 2018
Artist talk: Noon, Tuesday, Nov. 27, 2018

An internationally-recognized printmaker and curator, and 2017 Guggenheim Fellow, Nicholas Hill’s work explores history, other cultures, and the creative processes of artists in those cultures.

This exhibition is a celebration of the new academic year and a welcome to ODU’s 16th president, Dr. Robert Gervasi. The Art and Design faculty, Janna Thompson-Chordas, Janette Knowles, Rebecca Morton, and Eliana Calle Saari, created new works around the idea of the chrysalis and butterfly, a metaphor for the intellectual and spiritual transformation that happens through education. 

Twenty years after Ann Corley Silverman exhibited “The Journal Project” in the Wehrle Gallery, she is using the same pulped and shredded journals of her southern grandmother to create pages that support the handwritten text of Ralph Ellison’s “Invisible Man” in an examination of family history, southern history and racism.

Longtime Columbus academic and artistic powerhouses Char Norman and Anita Dawson explore the idea of Convergence through paintings and mixed media pieces. Their works center around the convergence of ideas, cultural influences, the political climate, their lengthy friendship and work/travel partnerships, as well as the fact that both are women artists.

Colombian transplant Eliana Calle-Saari has spent the last two decades translating life experiences into exquisite prints which exploit the specific expressive tendencies of the chosen technique; be it etching or woodcut.

Todd Camp’s curiosity and sensitivity to a material’s specific attributes gave rise to his newest works in mixed media.

"To dwellers in a wood, almost every species of tree has its voice as well as its feature."

Ohio Dominican University Fine Art alum and master woodworker Matt Bliss finds the voice of reclaimed and found wood to create beautiful and elegiac sculptures and wall pieces that defy traditional categorization.

The title of this exhibition comes from Thomas Hardy's Under the Greenwood Tree.